Scrap-n-Craft-n-Blog

The Very Best Scrapbooking and handi-Crafts site on the internet!!

Membership Sites May 27, 2008

I have had my own social site for some time…I changed platforms and will be re introducing my updated site soon, but, in the meantime, I have been doing a great deal of research about membership sites, member recruiting, member retention, and how to engage my members to interact with one another and to bring their own friends in…I have recently found a website that has some great information about those very topics and is also tied to one of the most sought after membership software programs today. Mark Braunstein, is one of the Guru’s or Masters of online membership sites and is also quite the video guru…Knowing Mark a little, and having spoken to him about membership sites, I know that the information he provides is top notch!

Recently, Mark teamed up with another Guru…Mike Filsaime. These two men are leaders in the industry and have what it takes to make it online, they also won’t be jumping ship anytime soon. What I like about their product, VTribes, is that it is fully functional, and tailored to meet your individual needs. You do not have to be a coding expert to be able to run a membership site when you purchase your membership software from VTribes.

Below are links to some of my favorite posts on their website CommunityZen:

Recruiting New Members

Keeping Your New Members Engaged

More Tips for Engaging Your Members

Membership Retention Plan

 

Jamie Livingston – Photo of the Day May 26, 2008

Filed under: News — scrapncraft @ 1:37 pm
Tags: , , ,

I was Stumbling (StumbleUpon) and found MentalFloss’s post about pics that he had found, and the research he had done. This is a very touching story and an awesome way for others to know more about Jamie.

Here is a little excerpt from MentalFloss:

What started for me as an amusing collection of photos — who takes photos every day for eighteen years? — ended with a shock. Who was this man? How did his photos end up on the web? I went on a two-day hunt, examined the source code of the website, and tried various Google tricks.

Finally my investigation turned up the photographer as Jamie Livingston, and he did indeed take a photo every day for eighteen years, until the day he died, using a Polaroid SX-70 camera. He called the project “Photo of the Day” and presumably planned to collect them at some point — had he lived. He died on October 25, 1997 — his 41st birthday.

And, in Reply to MentalFloss, Hugh Crawford (Only the Blog Knows Brooklyn: Jamie Livingston) a friend of Jaime’s this was written:

Yesterday because of the intense volume of traffic to Jamie Livingston’s Photo-of-the-Day site, the site crashed.

Hugh worked on it all day and night and it seems to be up and running. I hope it stays that way. “The site is barely able to deal with the number of people right now. Please be patient. If you experience a problem, just try again later.”

Jamie Livingston (1956-1997) took a Polaroid every day for 18 years, including the day he died in 1997.

He was an amazing artist who’s project seems to have captured the hearts of tens of thousands of people on the Internet.

I highly recommend that you visit this site, if for no other reason, just to see and share moments of another persons life, with all the joy and sadness we all encounter. I am hoping with my little snippet here, that it will help build the curiosity and the views to the website (only to allow others to share a moment of time).

There is also a YouTube video of some of the photos, which is an awesome representation.

 

Busy? Blogging? Writing…. January 26, 2008

I have so neglected my little blog here, and hope to get around to posting on a normal basis this year.  I currently write for several other clients which leaves me very little time.  I was able to hire some of my personal work out for my other sites, in order to help me catch up and get into a more regular posting schedule.  Hopefully that will allow me to post here on a more frequent basis.

 Currently, I have 3 sites, of which are: Scrap-n-Craft.com, AskAnissa.com, and Molly-Mormon.com.  I also help my husband with his sites, and the sites of his partners, and those sites are listed below:

Bill’s Personal sites:

OnlineSecurityAuthority.com

OSA Blog

OSA Forum

Bill’s & Partners Sites:

AgingParentsAuthority.com

KeepingOurChildrenSafe.com

YourIdentityDefendIt.com

All of these sites are Authorities in their niche.  If you are looking for information and resources on keeping your children safe, online security, online dating and relationships, ID Theft, taking care of Aging Parents, a place to discuss online security issues and a place to discuss issues with MySpace and other social networking sites, craft and hobbies, resources for small businesses, answers to craft and hobby questions, online resources for mormon helps and many other resources visit one of the above sites, and watch here at my blog for resources and musings for me.

 

Have you seen these new sites? December 11, 2007

I have recently updated several of my websites and thought I would post them here for you to be able to go and check them out!

Scrap-n-Craft.com

Molly-Mormon.com

And, here are some sites that I have really been impressed with, and thought I would pass along to you, too!

AttractionListBuilding.com

ReverseFunnelSystemMentors.com

VideoProductionTips.com

DivorceOnline.ca

These sites won’t apply to everyone, but, the information that they provide for their niche is truly impressive!  They have all gone to great lengths to provide their readership with valuable content, and have made it available to anyone who wants to learn more!

Thanks….to the above websites for providing great info that will definitely be of great help to those that are searching for it!

 

13 Youth Die on the street every day in America… October 24, 2007

Filed under: Causes — scrapncraft @ 1:17 pm
 

Vintage Scrapbooking September 23, 2007

Filed under: Scrapbooking — scrapncraft @ 4:55 pm
Tags: , , ,

Anissa’s Vintage Scrapbooking Layout

I was over at my girlfriends house last night, she had called me over to give me  a truckload of Scrapbooking stuff, and we got talking about scrapbooking and how most of us don’t have money to go out every month and buy all the latest and greatest tools, paper, and embellishments.  Sunny, my girlfriend, said that she was going to post on her blog about Vintage Scrapbooking.  It got me to thinking about what the defenition of Vintage Scrapbooking was.  Honestly, I really like Sunny’s version, but, I see that other people might have a different definition. 

Vintage Scrapbooking:  Using up all the old scrapbooking products that you have in your stash!  And, not having to go out and buy all the new stuff, unless its used to incorporate into your vintage scrapbooking layout!

In the little over 15 years that I have been a serious scrapbooker, I have accumulated thousands of items whether its paper, stickers (of which I have been collecting for nearly 30 yrs), embellishments, and albums (and anything else you can think of).  There are so many things like a certain paper that I wish they would have brought back into production, or a sticker or die cut, or now, some of the ribbon and other embellishments.  I think there should be a call put out to all manufacturers past and present to bring back some of the older “Vintage Scrapbooking” products that we have all loved!  I also see the need to use some of the “Vintage” products that I have been saving and thinking I would use someday, but still haven’t had the heart to use yet.

For more information or if you have questions about crafts or hobbies, visit: AskAnissa

Also, Visit Sunny’s FaithBooking site and forum, you won’t be sorry!

 

Ask Anissa August 4, 2007

Filed under: Crafts, Hobbies — scrapncraft @ 7:59 pm

I have not posted in months, but, I have another project in the works and would love it if you came over and checked out what I am currently doing and left a question or comment for me.  Here is my latest work:  AskAnissa.com

 

Win a Nintendo Wii? Is this for real?? March 15, 2007

Filed under: Blogging, Contests — scrapncraft @ 8:26 pm

Are Blog Contests Evil?

John Chow, the self-proclaimed root of all evil, has launched another blog contest.

He’s offering a pretty decent prize–a Nintendo Wii.

Here are his contest rules:

…just make a post in your blog about it. Link to me using the anchor text “root of all evil,” link to www.1234Pens.com using “promotional pens,” and link to this blog post… Add as much information as you want – just make sure you follow the linking rules. This contest is open to everyone. If you have blog, you can enter. It doesn’t matter where you are or what language your blog is in. After you made your post, send an email to wii@1234pens.com with the URL to your post. Once we confirm the post meets the linking requirements, we’ll print out your email and toss in to the draw bucket.

I’m not a video game player, but I know what a Nintendo Wii is and how popular those things are. So I’m entering John’s contest. If I win, I’ll “recycle” that prize as a prize for my own contest. (Is that evil?)

As with every , the goal is to boost rankings (and traffic) by getting a lot of other bloggers to link to your blog (or in this case, link to John’s blog and a friend’s website that sells promotional pens).

If you ask me, getting more traffic is a mighty good goal to have. It’s no wonder so many bloggers are having these types of contests.

But are these types of contests evil? Are they junking up the blogosphere? Do they annoy you?

I’d love to know what your opinion is on this subject!

Oh…Bonnie, I loved what you you did on your blog!  Hope you don’t mind me borrowing your thoughts!

By the way, I think that this is a great idea…why didn’t I think of it??

Here’s the link to John’s contest: John Chow’s latest blog contest.

 

Black History Month… February 10, 2007

Filed under: Holidays & Special Events, Uncategorized — scrapncraft @ 10:46 pm

I found the following info on the History Channel website.  If you would like more information or to view videos and pictures on Black History Month visit TheHistoryChannel.com website.  I was very impressed by how much information was available in one place.  I also have links in this post to their site for videos and information that I did not have room to include here.

Early ImmigrantsEARLY IMMIGRATION AND SLAVERY
Most of the earliest black immigrants to the Americas were natives of Spain and Portugal—men such as Pedro Alonso Niño (1468-1505), a navigator who accompanied Columbus on his first voyage, and the black colonists who helped Nicolás de Ovando (1460?-1518) form the first Spanish settlement on Hispaniola in 1502.
The name of Nuflo de Olano (b. 1490?) appears in the records as that of a black slave present when Vasco Núñez de Balboa sighted the Pacific Ocean in 1513. Other black men served with Hernán Cortés when he conquered Mexico and with Francisco Pizarro when he marched into Peru.

Iberians
Estebanico (c. 1500-38), one of the survivors of Pánfilo de Narváez’s unfortunate expedition to Florida in 1527, was a black man. With three companions, he spent eight years traveling overland to Mexico City, learning several Indian languages in the process. Later, while exploring what is now New Mexico, he lost his life in a dispute with the Zuñi Indians. Juan Valiente (d. 1553), another black man, led Spaniards in a series of battles against the Araucanian Indians of Chile between 1540 and 1546. Although Valiente was a slave, he was rewarded with an estate near Santiago and control of several Indian villages. Between 1502 and 1518, Spain shipped out hundreds of Spanish-born Africans, called Ladinos, to work as laborers, especially in the mines. Opponents of their enslavement cited their weak Christian faith and their penchant for escaping to the mountains or joining the Indians in revolt. Proponents declared that the rapid diminution of the Indian population required a consistent supply of reliable workhands.

Free Spaniards were reluctant to do manual labor or to remain settled (especially after the discovery of gold on the mainland), and only slave labor could assure the economic viability of the colonies.

Beginning of the African Slave Trade
By 1518, the demand for slaves in the Spanish New World was so great that King Charles I of Spain (who, as Holy Roman Emperor, was known as Charles V), sanctioned the direct transport of slaves from Africa to the American colonies. The slave trade was controlled by the Crown, which sold the right to import slaves (asiento) to entrepreneurs.

By the 1530s, the Portuguese were also using African slaves in Brazil. From then until the abolition of the slave trade in 1870, at least 10 million Africans were forcibly brought to the Americas: about 47 percent of them to the Caribbean islands and the Guianas; 38 percent to Brazil; and 6 percent to mainland Spanish America. About 4.5 percent went to North America, roughly the same proportion that went to Europe.

The greatest proportion of these slaves worked on plantations producing sugar, coffee, cotton, tobacco, and rice in the tropical lowlands of northeastern Brazil and in the Caribbean islands. Most of them came from the sub-Saharan states of West and Central Africa, but by the late 18th century the supply zone extended to southern and East Africa as well.

Impact of SlaverySlavery in the Americas was generally harsh, but it varied from time to time and place to place. The Caribbean and Brazilian sugar plantations required a consistently high supply of labor for centuries. In other areas—the frontiers of southern Brazil, Argentina, Venezuela, and Colombia—slavery was relatively unimportant to the economy.To tame the wilderness, build cities, establish plantations, and exploit mineral wealth, the Europeans needed more laborers than they could recruit from among their own metropolitan masses. In the early 16th century, the Spanish tried unsuccessfully to subjugate and enslave the native populations of the West Indies. Slavery was considered the most desirable system of labor organization because it allowed the master almost absolute control over the life and productivity of the laborer. The rapid disintegration of local indigenous societies and the subsequent decimation of the native Indians by warfare and European diseases severely exacerbated the labor situation, increasing the demand for imported workers.

African slaves constituted the highest proportion of laborers on the islands and circum-Caribbean lowlands where the native population had died. The same was true in the northeastern coastlands of Brazil—especially the rich agricultural area called the Reconcavo, where the seminomadic Tupinamba and Tupiniquim Indians resisted effective control by the Portuguese—and in some of the Leeward Islands such as Guadeloupe and Dominica, where the Caribs waged a determined resistance to their expulsion and enslavement. In areas of previously dense populations, such as parts of central Mexico or the highlands of Peru, a sufficient number of the Indian inhabitants survived to satisfy a major part of the labor demands of the new colonists. In such cases African slaves supplemented coerced Indian labor.

An article from Funk & Wagnalls® New Encyclopedia. © 2005 World Almanac Education Group, A WRC Media CompanyThe Slave EraThe extensive use of black African labor during the 16th and 17th centuries on profitable Brazilian and Caribbean sugar plantations provided a model for European colonists in North America, where Indians and white indentured servants were insufficient to meet the demands for agricultural labor.

Although Africans served as guides and soldiers in the initial Spanish conquest of Mexico, most blacks brought to North America were used to produce the export crops—tobacco, rice, indigo, and cotton—that became the major source of the wealth extracted by European nations from their colonies. The English settlers of North America only gradually turned to black slavery to solve their labor shortage. Spain brought at least 100,000 Africans to Mexico during the 16th century, but England did not extensively engage in the slave trade until the Royal African Co. was established in 1663. Although a trickle of Africans began arriving in English North America in 1619, their status was initially similar to that of the white indentured servants, who remained the backbone of the agricultural labor force until the end of the century. As white workers improved their status during this period, however, both free and bonded blacks were subjected to new laws punishing slave disobedience, prohibiting racial intermarriage, restricting manumission, and otherwise ensuring that the political rights and economic opportunities granted to whites would not be extended to Africans or their descendants.

Resistance
Blacks resisted enslavement from the time of capture in Africa but, outnumbered by whites, North American slaves were less likely than Brazilian or Caribbean ones to engage in massive rebellions.

Africans in North America typically underwent “seasoning” in the West Indies and a “breaking” process on the mainland, which was designed to supplant African cultural roots with the attitudes and habits of obedience required for slave labor. Retention of African skills and social patterns was not as common among North American slaves as among their Latin American counterparts, who were more likely to be born in Africa or have extensive contact with African-born slaves. Only in South Carolina, where slaves became a majority of the population, did planters commonly seek slaves from particular regions of Africa who possessed desired skills, such as the knowledge of rice cultivation. More often, white slaveholders attempted to suppress African culture, believing it was easier to control slaves who spoke English and depended on the skills and knowledge instilled in them by whites. These efforts were not completely successful, however. Slaves Africanized English, Christianity, and other aspects of Western civilization, thereby creating their own unique culture that combined African with European elements.

Efforts to return to Africa or to establish Maroon (slave) colonies in North America became less common as the proportion of African-born slaves declined, but resistance continued under the leadership of slaves and free blacks, who used their knowledge of white society to improve the status of blacks. Despite the restrictions white masters placed on the education and religious activity of slaves, literacy and Christianity often became vehicles for individual and collective resistance, both to brutal treatment and to enslavement itself.

An article from Funk & Wagnalls® New Encyclopedia. © 2005 World Almanac Education Group, A WRC Media CompanyRevolution and RebellionsThe American Revolution and Black Rebellions
During the 18th century, black rebelliousness received a new stimulus from the growing popularity among whites of democratic and egalitarian ideas. Slaves exploited the divisions in white society during the American Revolution. Thousands responded to a royal offer of freedom for those who fought with the British, and after the war several thousand black Loyalists went to Canada, most of them settling in Nova Scotia.

About 5000 blacks served in the Continental Army. After the war, revolutionary ideology and Quaker pietism inspired new antislavery activities by both blacks and whites. Blacks petitioned state legislatures for freedom, better treatment, or repatriation to Africa. The self-trained black scientist Benjamin Banneker argued against black inferiority in a famous correspondence with U.S. President Thomas Jefferson.

The liberalization of white attitudes was reversed in the South as a result of the profits made possible by the invention of the cotton gin. During the 18th century, the spread of cotton cultivation to the Deep South and southwestern states fostered the rise of an archconservative southern political order based on the use of slave labor. Despite this retreat, however, ideas drawn from the American, French, and Haitian revolutions, as well as from Christian idealism and African folk beliefs, remained evident in 19th-century slave resistance, especially the major conspiracies led by Gabriel Prosser in Virginia (1800) and Denmark Vesey in South Carolina (1822). The bloody Nat Turner Rebellion (1831) prompted increased repression of slave activities, although small-scale resistance—running away, tool breaking, sporadic violence—continued to interfere with plantation operations.

Semifree Blacks
Although more than 90 percent of the black population in the U.S. was enslaved at the time of the 1790 census, the small population of freed blacks had already established its own social institutions and had begun efforts to improve the conditions of the race. Most of these efforts were centered in cities, which offered more liberty to black residents than did rural areas. Even black slaves had some freedom of movement in the cities, and they generally possessed greater skills and had better access to information than was common on plantations. By the end of the 18th century, Philadelphia blacks under the leadership of Richard Allen had founded what became (1816) the African Methodist Episcopal Church, and blacks in New York City had formed the African Methodist Episcopal Zion Church. By that time black Baptist churches had also been established in various other communities, mostly in the South. In Boston, Philadelphia, and Providence, R.I., black Masonic lodges had been organized under the leadership of Prince Hall (1748–97).

By the time of the Turner Rebellion, black urban communities sustained a variety of churches, fraternal orders, schools, self-help groups, and political organizations. Although literacy was still uncommon, these institutions fostered self-confidence among black leaders and encouraged them to express their concerns to the general population. The determination of blacks to decide their own destiny was revealed in their newspapers, such as Freedom’s Journal, founded in 1827, and in militant pamphlets, including Appeal (1829) by David Walker (1785–1830). During the 1830s black leaders gathered annually in national conventions to discuss strategies for racial advancement.

Efforts by blacks to improve their conditions ranged from the adoption of prevailing white values to attempts to reform or escape American society. The black shipowner Paul Cuffee (1759–1817), for example, favored a return to Africa and in 1815 succeeded in transporting a small group of free blacks to Sierra Leone. In 1817, however, when whites in the newly formed American Colonization Society (ACS) announced their desire to return free blacks to Africa, black representatives assembled by Richard Allen firmly rejected the idea, arguing that they should not abandon their enslaved fellow blacks. In subsequent years, blacks continued to discuss the option of immigrating to Canada, Latin America, or Africa. Although the ACS established a colony in Liberia in 1822, foreign colonization ventures received little support until the 1850s.

Discrimination against manumitted slaves was intense throughout the U.S. Although blacks could vote in some northern states in the years after the Revolution, the extension of voting rights to propertyless men was accompanied by new restrictions on black political participation, landownership, and social contact with whites. By the 1830s, most southern and some northern states restricted or prohibited the entry of free blacks; Ohio law required entering blacks to post $500 bonds. An attack on the Cincinnati black community by a white mob in 1829 was followed in the next few years by similar riots in other northern cities, where white workers resented competition from blacks for jobs. Although southern free blacks lived in societies that feared and often restricted their presence, they had greater opportunities than northern blacks to work as artisans and even to acquire property. In New Orleans, La., for example, 753 blacks owned slaves, according to the 1830 census. Most urban blacks lived on the margins of society, however, barred from public educational facilities, good housing, and legal protection. For thousands of antebellum blacks, Canada (where slavery was outlawed in 1833) and, to a lesser degree, Mexico became places of refuge.

Abolitionist Movement
Increased discrimination, combined with the growth of black literacy, institutional strength, and economic resources, encouraged a trend toward greater militancy after 1830. Impatience with gradualist plans to end slavery prompted the abolitionist William Lloyd Garrison to advocate immediate abolition and, with black help, to found the American Anti-Slavery Society in 1833. Many black activists later became disenchanted with Garrison’s notion that slavery could be ended by moralistic arguments; instead they stressed the need for political action and, ultimately, violent resistance. The growing militancy was displayed in 1839, when black communities raised funds to defend Africans in the Amistad Case. Some blacks broke with Garrison to join the American and Foreign Anti-Slavery Society, while others worked within all-black self-help societies and local groups established to help runaway slaves.

An article from Funk & Wagnalls® New Encyclopedia. © 2005 World Almanac Education Group, A WRC Media CompanyCivil War & ReconstructionGrowing Activism

During the 1840s black abolitionists developed a variety of strategies for abolishing slavery. The call by the Rev. Henry Highland Garnet (1815-82) for a slave uprising was almost adopted at an 1843 meeting of black representatives. The outspoken black orator and writer Frederick Douglass, a former Garrison supporter, in 1847 joined with Martin Delany (1812-85), a pioneer black nationalist, to establish an independent black journal, the North Star.

Harriet Tubman, Sojourner Truth, and Maria Stewart (1803-79) were active abolitionists. Tubman and others helped slaves escape through the Underground Railroad.

The Fugitive Slave Act of 1850 (see Fugitive Slave Laws) increased pessimism among blacks about the possibility of a peaceful end to slavery. Several violent clashes occurred when armed blacks tried to protect escaped slaves or sought to free captured fugitives. Abolitionist resistance in Boston was so strong that 2000 soldiers were required in 1854 to escort Anthony Burns, an escaped slave, to a ship that returned him to the South. Black pessimism was further strengthened in 1857 by the Dred Scott Case ruling that blacks were not considered U.S. citizens. During this period, black militants such as Garnet and Delany decided that blacks could progress only by remaining separate from whites, and in 1859 Delany led an exploratory expedition to Africa to prepare the way for future African-American colonies. Although these advocates of black nationalism were a minority within the antebellum black community, they reflected the growing belief that slavery was a basic part of the U.S. political system.

Thus, the white abolitionist John Brown found many blacks in sympathy with his plans to spark a slave uprising, and five blacks later participated in Brown’s unsuccessful raid on the U.S. arsenal at Harpers Ferry, Va. (now West Virginia), in 1859.

CIVIL WAR, RECONSTRUCTION, AND URBAN MIGRATION
Although most northern whites did not expect the Civil War to result in the elimination of slavery, black abolitionists offered their services to the Union cause with that end in mind. Northern policy regarding black enlistments was inconsistent, however, for President Abraham Lincoln and other leaders hoped to preserve the Union without abolishing slavery or ending discrimination in the North.

Blacks in Union Service
Few blacks were initially permitted in the northern military forces. As casualties mounted during 1862, however, northern military commanders sometimes recruited black soldiers without explicit authority, and Congress finally gave the president authority to use black troops. Lincoln also issued his Emancipation Declaration, freeing slaves held by southerners who remained in rebellion as of Jan. 1, 1863. This act had little immediate effect but did signal the change in Lincoln’s racial attitudes that eventually led to a constitutional prohibition of slavery by the 13th Amendment.

Even after gaining acceptance into military service, however, black soldiers suffered racist treatment from many of their white officers. The Confederates generally treated their black prisoners with brutality. When several hundred black troops at Fort Pillow, Tenn., were captured in 1864, they were murdered by the southern forces. By the end of the war, the Union had become dependent on the services of 186,000 black soldiers and sailors, 21 of whom received the Medal of Honor, and Congress acceded to black demands for equal pay, retroactive to the date of enlistment.

The slaves’ desire for freedom was demonstrated during the war by escapes from plantations threatened by Union troops. In the early part of the conflict, some northern commanders returned slaves to their masters, while others forced escapees to work for the Union Army. In a few instances, blacks were allowed to farm land confiscated from white planters, but most of these lands were returned to their former owners at the end of the war. The Fredmen’s Bureau, established in March 1865, assumed responsibility for the welfare of free slaves, but a clear national policy regarding the future status of blacks emerged only gradually.

Reconstruction
Despite the Union victory, southern blacks experienced severe restrictions on their freedom after the Civil War. Many hoped that they would be given confiscated or abandoned lands and thereby gain economic independence, but white landowners succeeded in passing “black codes” to restrict black landownership and freedom of movement. This southern recalcitrance prompted Congress to extend the life of the Freedmen’s Bureau and to pass civil rights legislation protecting black rights. President Andrew Johnson’s veto of this legislation, and the subsequent defeat of his Democratic party in the 1866 congressional elections, led radical Republicans to take charge of the Reconstruction of the South.

Congressional Reconstruction failed to eliminate black economic dependency, but the Freedmen’s Bureau provided needed rations and medical care for ex-slaves. The bureau’s greatest success was in literacy training and in helping to establish black colleges, including Howard University. Yet improved education was of little benefit to black farmers, who lacked both land and nonagricultural job opportunities; many blacks were thus forced back into conditions resembling slavery. Eventually, most former slaves became sharecroppers. This system left blacks under the domination of white creditors who provided them with animals, seeds, and tools (see Peonage).

Although it left white economic domination unaltered, the federal occupation of the South temporarily provided a setting in which black leaders could seek political office and promote such political reforms as improved public education and an end to property qualifications for voting, imprisonment for debt, and segregation in public facilities. In South Carolina, blacks achieved considerable influence, holding at various times the offices of lieutenant governor, secretary of state, treasurer, and speaker of the house. In Louisiana, the black lieutenant governor P. B. S. Pinchback (1837-1921) served as acting governor for some time after the white governor was removed from office. Although two black men—Hiram R. Revels and Blanche K. Bruce (1841-98)—became U.S. senators, and blacks held some 15 seats in the House of Representatives, blacks never controlled any state government. The official corruption that was later attributed to black rule in the South was merely part of a national trend toward the exploitation of government by business interests. In general, southern blacks attempting to exercise their newly acquired rights faced growing terrorism from such groups as the Ku Klux Klan.

An article from Funk & Wagnalls® New Encyclopedia. © 2005 World Almanac Education Group, A WRC Media CompanyErosion of RightsAfter the final withdrawal of northern troops from the South in 1877, intense racial discrimination and depressed economic conditions prompted many blacks to leave. Moreover, Supreme Court decisions during the 1880s and ’90s drastically undermined their protection under the 14th Amendment. The Court’s Plessy v. Ferguson decision (1896), approving separate public facilities for blacks, marked the culmination of this process. Black economic rights were eroded through crop lien laws (which gave white landowners title to black farm production), through debt peonage, and through vagrancy laws that prevented blacks from refusing low-paying jobs. During the 1890s black and white farmers joined to build a strong Populist alliance (see People’s Party), but this coalition fell apart after 1896 as a result of intimidation and white susceptibility to racist Democratic appeals.

By the end of the century, southern white leaders had begun to vitiate the 15th Amendment’s guarantees of black voting rights through devices such as poll taxes and literacy tests. Black political and economic freedom was also suppressed by sheer terror; more than 1000 blacks were put to death by lynching during the 1890s. A black educator, Booker T. Washington, reacted to this erosion of black rights by advocating a policy of racial accommodation. He urged blacks not to emphasize the goals of social integration and political rights but instead to acquire the occupational skills that would facilitate economic advancement.

Urban Migration
The deteriorating conditions in the South after Reconstruction sparked numerous waves of black migration to the North and West. Although the majority of black migrants went to the eastern seaboard states and to the Midwest, blacks also participated in the general westward movement.

A major exodus into Kansas occurred in 1879, and other movements resulted in the formation of all-black towns in Oklahoma and other western states. Black migrants also moved to the far West. Mexican-born blacks were among the founders of Los Angeles, and black “buffalo soldiers” fought Indians in order to open up a large part of the Southwest for white settlement.

By 1900 the distribution of the black population had changed in significant ways from what it had been before the Civil War. Although still overwhelmingly concentrated in the South, almost one-fourth of all blacks now lived in urban areas. In the northeastern and western states, more than three-fourths were urbanites. The largest concentrations were in Washington, D.C.; Baltimore, Md.; New Orleans, La.; Philadelphia; New York City; and Memphis, Tenn.– each of which had more than 40,000 black residents.

Urban blacks, drawn by economic opportunities available in the cities, had to contend with considerable discrimination and hostility from white workers. Faced with competition from European immigrants, they were generally excluded from unions affiliated with the American Federation of Labor. Even blacks who worked in personal-service occupations encountered growing competition from immigrants and increasing hostility from their affluent white clientele. Both American blacks and the much smaller black population in Canada (about 17,000 in 1900) felt a declining support by whites for racial reform and a spreading acceptance of pseudoscientific doctrines of northern European superiority.

BLACK SOCIETY IN THE EARLY 20TH CENTURY
The movement of blacks from rural to urban areas led to profound changes in African-American society. The expanding black urban communities offered the migrants greater freedom than the rural South and provided a broader range of social institutions and educational opportunities. The cities were particularly attractive to blacks who had been educated at Howard, Fisk, Atlanta, Hampton, and other black colleges established during the 19th century. Some intellectuals, including Ida B. Wells (1862–1931), Mary Church Terrell (1863–1954), W. E. B. Du Bois, and William Monroe Trotter (1872–1934), departed from the accommodationism of Washington to pursue equal rights through various protest groups, such as the all-black Niagara Movement and the interracial National Association for the Advancement of Colored People (NAACP).

Growing Self-Awareness
The growth in the size and literacy of the urban black populace stimulated cultural and intellectual activity. Newspapers and magazines published by blacks appeared in all substantial black communities. The composers Scott Joplin, W. C. Handy, and J. Rosamond Johnson (1873–1954), brother of the writer James Weldon Johnson, and the poet-novelist Paul Laurence Dunbar were among the black artists who achieved prominence at the turn of the century. Numerous other musicians and writers labored more anonymously as they combined Western musical styles with rhythmic and melodic forms rooted in Africa and in slavery to create African-American jazz.

At the end of the 19th century, ambivalence about “unrefined” black folk culture and emerging black urban life-styles existed among longer established and more educated black residents. As these communities absorbed a stream of new migrants in the decades after Reconstruction, churches that were dominated by older residents were supplemented by less formal Baptist or Pentecostal churches that appealed to poor, sometimes illiterate, new arrivals from the rural South. Tensions were evident between the old residents, who frequently performed personal services for whites, and the new migrants, who had difficulty competing for such jobs. By the early 20th century, however, many black communities had become large enough to support a minority of black professionals and business people, and earlier deference to white standards among relatively successful blacks gradually gave way to an increasing sense of racial pride and social cohesion. Black fraternal orders, political organizations, social clubs, and newspapers published by blacks asserted an urban black consciousness that became the foundation for the militancy and cultural innovations of the 1920s.

An article from Funk & Wagnalls® New Encyclopedia. © 2005 World Almanac Education Group, A WRC Media CompanyWar and DepressionWorld War I marked a turning point in African-American history by hastening the long-term process of black urbanization and institutional development. When black migrants came to urban areas to take industrial jobs vacated by white soldiers, the resulting expansion of the black urban population opened still further the business and professional opportunities for blacks. Even before the war, the emerging black middle class had begun to identify its own interests with those of less affluent blacks, who were their clientele.

These sentiments became more evident as blacks self-consciously reacted to white racism with expressions of racial pride and unity. College-educated blacks—Du Bois called them “the talented tenth”—were still few in numbers (only 2132 blacks were in college in 1917), but they were more and more likely to have received academic rather than vocational training and were thereby better able to provide articulate political and cultural leadership. These educated blacks did not agree on support for the war—the labor leader A. Philip Randolph and the socialist Chandler Owen (1889-1967) vigorously opposed it—but were united in the view that blacks should use the war as an opportunity to make racial gains. The majority of the 370,000 black servicemen were assigned to support units during World War I, but some all-black regiments saw extensive combat duty. The 369th Infantry Regiment was the first Allied regiment to reach the Rhine River; the regiment was awarded the Croix de Guerre by France for distinguished service during the war. Black servicemen came home from the war with a determination to demand the respect of the nation for which they had fought.

The Postwar Years
Even as blacks returned, however, white opposition to black gains became more intense.

In 1917 more than 200 blacks were killed in East Saint Louis, Ill., by a white mob that invaded the black community. During the same year, 63 black soldiers in Houston, Tex., were summarily court-martialed and 13 hanged without benefit of appeal after a black battalion rioted in reaction to white harassment. After the war, many black soldiers in uniform were attacked and some killed by whites seeking to reinforce traditional patterns of racial domination. During the “Red Summer” of 1919, antiblack riots occurred in Longview, Tex.; Washington, D.C.; Chicago; Knoxville, Tenn.; and Omaha, Nebr. These events further stimulated blacks to defend their rights and support outspoken leaders.

The most popular militant black leader was a Jamaican immigrant, Marcus Garvey, who in 1916 established an international organization with headquarters in New York City. His Universal Negro Improvement Association (UNIA) had a membership ranging from 2 to 4 million people. By 1919 he had also established a steamship corporation, the Black Star Line, to pursue trade with Africa. Garvey’s popularity, however, made him a target of attacks from black civil rights leaders and brought him under surveillance by the U.S. government. In 1922, amid mounting controversy, he was arrested for mail fraud in connection with his steamship line. His subsequent conviction and imprisonment, and his deportation in 1927, resulted in a rapid decline of the UNIA.

The Harlem Renaissance
Garvey’s rise and fall was only one aspect of the growth of racial pride and awareness that characterized the 1920s. As he drew support from black workers and those who owned small businesses, a cultural movement—the Harlem Renaissance—was gaining support from black intellectuals (see also American Literature: Harlem Renaissance). The Jamaican-born poet and novelist Claude McKay was the first black literary figure of the 1920s to attract a large white audience. The innovative novel Cane (1923) by Jean Toomer (1894-1967) voiced the common theme of the Harlem Renaissance in its identification with the lifestyles of the black poor. Although Toomer and the poet Countee Cullen were members of the black elite, they and other black writers combined European literary technique with African-American themes. The most popular and prolific of the black writers of the 1920s was the poet Langston Hughes, whose works showed a strong identification with the black working class. These writers found an audience largely due to the efforts of white patrons and black editors, such as Charles S. Johnson (1893-1956) at Opportunity (published by the Urban League) and Jessie Fauset (1886-1961) and Du Bois at The Crisis (published by the NAACP). Alain Locke (1886-1954), a Harvard graduate and a Rhodes scholar, was one of several black academics who promoted African-American and African culture. His work was later continued by Zora Neale Hurston (1901-60), a novelist who in 1935 published Mules and Men, an outstanding book of southern black folktales.

As in literature, black activities in theater reflected a desire to display their cultural distinctiveness to the public. Several musical comedies produced in the 1920s by Eubie Blake (1883-1983) and Noble Sissle (1881-1975) allowed black performers to prove their talents. The actor Charles Gilpin (1878-1930) played more serious roles, including the title role in Eugene O’Neill’s The Emperor Jones. The actor Paul Robeson also performed in O’Neill’s plays, starred in William Shakespeare’s Othello, and later gained prominence as a singer of black spirituals and working-class folk songs.

African-American music was also deeply affected by the social currents of the 1920s. Previously confined to the South, jazz and blues began to be played in northern cities during World War I and soon became established in the rapidly growing northern black communities. Louis Armstrong went from New Orleans to Chicago in 1922 to play with King Oliver’s jazz band, and Jelly Roll Morton began arranging the previously spontaneous jazz pieces during the mid-1920s, preparing the way for big band leaders such as Duke Ellington and Fletcher Henderson.

DEPRESSION AND WAR
The cultural awakening of the 1920s lost momentum in the ’30s as the worldwide economic depression diverted attention from cultural to economic matters. Unemployment and poverty among blacks was high even before the stock-market crash of 1929, but the general downturn in the economy made it more feasible for blacks to join with whites in seeking social reforms. A small minority of blacks was drawn to the Communist party (see Communist Parties: the U.S.), which made special efforts to attract them and ran a black candidate for vice-president in 1932, 1936, and 1940. The party’s black support remained small, however, and many black members, such as the writer Richard Wright, became disillusioned and left. More important was the involvement of blacks in labor unions, both all-black organizations such as the Brotherhood of Sleeping Car Porters, led by A. Philip Randolph, and the industrial unions that joined to form the Committee for Industrial Organization (CIO). Unions played an important role in forming the National Negro Congress, with Randolph as president, to promote black economic interests, but internal political disputes reduced its effectiveness. Nonetheless, black workers became firmly established during the 1930s and ’40s in numerous industries. In part as a result of union involvement, the allegiance of black voters underwent a historic shift from the Republican party, which they had supported since Reconstruction, to the Democratic party. In the 1934 election, two years after Franklin D. Roosevelt won the presidency, for the first time most black voters supported Democratic candidates.

The New Deal
Although blacks overwhelmingly voted for Roosevelt in the 1936 election, his New Deal had mixed results in black communities. On the one hand, federal relief programs provided aid for poor blacks who had previously been forced to survive without government assistance. Blacks were also hired to build, and were enabled to occupy, new housing financed by the government. In addition, partly through the efforts of Eleanor Roosevelt, New Deal policies were influenced by a group of black leaders, informally organized as a Black Cabinet by the educator Mary McLeod Bethune. Finally, several blacks were appointed to the Roosevelt administration. Among these were Robert C. Weaver, an adviser in several agencies, and Bethune, who was director of Negro Affairs in the National Youth Administration.

On the other hand, the Roosevelt administration did little to confront the special problems faced by blacks. New Deal programs did not help southern black farmers, who were hurt by the decline in agricultural prices and were not allowed to influence the Agricultural Adjustment Administration programs. Fearful of losing his southern white support, Roosevelt declined to back federal legislation against lynching. Blacks were often victims of discrimination on the part of federal relief programs, especially in the South. By excluding farmers and domestics, the Social Security Act of 1935 excluded 65 percent of all black workers. Similarly, the bulk of black workers were not covered by National Recovery Administration codes (see National Industrial Ricovery Act). Many federal housing programs also perpetuated patterns of residential segregation.

Despite setbacks, however, a foundation was established during the depression for subsequent civil rights reforms through the alliance of blacks with white liberals. During the 1930s the NAACP led a vigorous legal battle against discrimination, concentrating on segregation in public education. In 1938, it gained an initial victory when the U.S. Supreme Court ordered the admission of a black man to the University of Missouri law school, because the state had failed to provide such facilities for blacks. The NAACP also played an important defense role in the Scottsboro Case, although its involvement came only after the Communist party had publicized the case.

World War II
The war against the Axis powers provided a great stimulus for changes in national racial policies, for it increased the need for black labor and heightened the sensitivity of whites to the dangers of racist ideas. On the eve of the war, a threatened march on Washington by blacks under the leadership of A. Philip Randolph persuaded Roosevelt to issue an executive order prohibiting racial discrimination in the defense industries and in government. Although the Committee on Fair Employment Practice, established under this order, had few enforcement powers, it encouraged a large-scale migration of blacks in search of jobs in defense plants. Between 1940 and 1950 this migration more than tripled the black population in the western states. Conflicts over housing and jobs developed in some cities between black and white workers, and a race riot occurred in Detroit in 1943, resulting in the deaths of 25 blacks and 9 whites before federal troops restored order.

While making gains in civilian life, blacks also sought to improve their status by military service. As in previous wars, blacks seeking to enter the armed forces faced considerable discrimination, although the War Department eventually approved the training of an unprecedented number of black officers and accepted blacks to serve as pilots and in medical and engineering units. Approximately half a million blacks served overseas in segregated units in the Pacific and Europe. Dorie Miller (1919-43) won the Navy Cross, the highest honor awarded to a black serviceman in the war, for his heroism at Pearl Harbor in 1941. As in civilian life, racial conflicts occurred on or near military posts and in occupied zones abroad; serious riots erupted at several camps, where black soldiers protested against poor conditions and racial discrimination. See also World War II.

An article from Funk & Wagnalls® New Encyclopedia. © 2005 World Almanac Education Group, A WRC Media CompanyStruggle for FreedomIncreased Understanding Among Whites
The desire of black Americans to win a victory over fascism abroad and racism at home was expressed in the so-called Double-V campaign, which also revealed an undercurrent of black discontent. Allied rhetoric about the fight for the “;four freedoms” (of expression and worship; from want and fear) encouraged blacks to feel these ideals might be realized in the U.S. The growing acceptance among whites of racial equality was strengthened by the writings of numerous scholars, including the Swedish social scientist Gunnar Myrdal, author of An American Dilemma: The Negro Problem and Modern Democracy (1944). Other scholarly and literary publications during the 1930s and ’40s increased understanding of the black experience, notably Richard Wright’s novel Native Son (1940); Black Metropolis (1945), an important sociological study, by St. Clair Drake (1911-90) and Horace Cayton (1903-70); and From Slavery to Freedom (1947), by the historian John Hope Franklin (1915- ).

The nonviolent sit-ins conducted by the Congress of Racial Equality (CORE), formed in 1942, signaled a new willingness on the part of both white and black reformers to challenge racial segregation. White racial attitudes were affected by the entry of Jackie Robinson and other black athletes into baseball; even before, such men as the boxers Jack Johnson and Joe Louis and the track-and-field athlete Jesse Owens had notable impact on sports. Less noticed were the achievements of black scientists, such as Charles R. Drew (1904-50), who developed a widely used system for storing blood plasma. The tradition of black scientific achievement, however, can be traced back to Benjamin Banneker in the 18th century; Norbert Rillieux (1806-94) who, in the 19th century, perfected a system for refining sugar; and George Washington Carver in the early 20th century.

THE STRUGGLE FOR FREEDOM
After the war a period of rapid change in American race relations followed. As more blacks left the rural South for urban areas, the relative economic status of blacks improved. From 1948 to 1961, the proportion of blacks earning less than $3000 a year declined from 78 to 47 percent; at the same time, blacks earning more than $10,000 increased proportionally from less than 1 to 17 percent. (Nevertheless, the median income for whites in 1948 was higher than that of blacks in 1961.) Related to these economic changes was a rapid increase in the number of blacks attending college—from 124,000 in 1947 to 233,000 in 1961.

Early Gains
The existence of a growing affluent and educated black population in urban areas made possible major political gains. Black urban voters provided decisive support for liberal Democratic candidates, who in turn backed civil rights reforms. In 1954, three blacks—Augustus Hawkins (1907- ) of California, Adam Clayton Powell, Jr. (1908-72) of New York, and William L. Dawson (1886-1970) of Illinois—were elected to the U.S. House of Representatives, the largest number since Reconstruction.

A pattern of black influence on national politics was clearly established in 1948, when Harry Truman was elected president, even though he received only a minority of white votes. Truman had gained the support of blacks by issuing an executive order that eventually desegregated the armed forces and by supporting a pro-civil rights policy for the Democratic party over strong opposition from southern Dixiecrats. Although Truman’s actions had little immediate impact on blacks, they indicated responsiveness by the federal government. Vigorous political dissent among blacks was discouraged during the so-called McCarthy era (c. 1950-55), as black leaders, such as Du Bois and Robeson, came under government attack, but cold war anticommunism also provided leverage for blacks to demand that the U.S. live up to its democratic claims.

The Brown Decision
Although neither President Dwight Eisenhower nor Congress was willing to take action on behalf of black civil rights during the first half of the 1950s, new presidential appointments to the U.S. Supreme Court prepared the way for a reversal of the separate-but-equal doctrine established by the Plessy decision. In 1954 a unanimous Court ruled, in Brown v. Board of Education, that “;separate educational facilities are inherently unequal” and the next year ordered public schools to desegregate “;with all deliberate speed.” Although southern white officials sought to obstruct implementation of the Brown decision, many southern blacks saw the ruling as a sign that the federal government might intervene on their behalf in other racial matters. Unwilling to wait for firm federal action, however, some began their own desegregation efforts. In 1957, black children defied white mobs in Little Rock, Ark., until Eisenhower sent troops to protect their right to attend an all-white high school. Nevertheless, ten years after the Brown decision, less than 2 percent of southern black children attended integrated schools. During the early 1960s, it was necessary to maintain federal troops and marshals on the University of Mississippi campus to ensure the right of a black student to attend classes.

Desegregation Struggle
The Brown decision also encouraged southern blacks to launch a sustained movement to integrate all public facilities. It began in Montgomery, Ala., in December 1955, when a black woman named Rosa L. Parks refused to give up her seat on a city bus to a white man and was arrested. Led by the Rev. Martin Luther King, Jr., black residents reacted to the arrest by organizing a bus boycott that lasted more than a year, before a federal court declared Alabama’s bus segregation laws unconstitutional. King’s commitment to nonviolence garnered favorable press for his protests.

Although King remained the best-known black leader, protest activities soon moved beyond the control of any single individual or group. King’s supporters organized the Southern Christian Leadership Conference (SCLC) in 1957, but when black college students began widespread lunch counter sit-ins in February 1960, most of the young activists rejected leadership by SCLC and older civil rights groups, such as the NAACP or CORE. They formed the Student Nonviolent Coordinating Committee (SNCC), which was often more militant than other civil rights groups.

Voter Registration
The CORE-initiated Freedom Rides of 1961, designed to end segregation in facilities dependent on interstate commerce, demonstrated the ability of civil rights protesters to force federal intervention in the South. They brought many young activists into Mississippi, where white officials firmly resisted any concessions to the civil rights movement. Black civil rights leaders in Mississippi, who had long struggled for gains with the help of the NAACP, encouraged young civil rights workers affiliated with the SNCC to concentrate their efforts on achieving voting rights. By 1962 Robert Moses (1935- ), a Harvard-educated schoolteacher, had brought together a staff of organizers who worked closely with local residents seeking to register as voters. White resistance, however, remained intense. In 1964, after the murder of three of the organizers, a major national effort led to the unsuccessful challenge by the Mississippi Freedom Democratic party, led by Fannie Lou Hamer (1917-77), to unseat the all-white Mississippi delegation at the Democratic National Convention.

Although the voting-rights movement in Mississippi made slow progress, civil rights protests in southern urban centers achieved important gains. Massive demonstrations were held in Albany, Ga., during 1961 and 1962, and the following year more than a million demonstrators kept up the pressure in numerous cities. This wave of protests reached a peak during the spring of 1963, when federal troops were sent into Birmingham, Ala., to quell racial violence. President John F. Kennedy reacted to the widespread demonstrations by introducing civil rights legislation designed to end segregation in public facilities. On Aug. 28, 1963, more than 200,000 protesters gathered in Washington, D.C., for a peaceful demonstration, calling for congressional action in civil rights and employment legislation. The civil rights bill remained deadlocked in Congress until 1964, however, when it was passed in the aftermath of the assassination of President Kennedy. In 1965 another series of protests in Selma, Ala., prompted President Lyndon B. Johnson to introduce new voting-rights legislation, which was passed that summer and had a dramatic impact on black voter registration; in Mississippi, the percentage of blacks registered to vote increased from 7 percent in 1964 to 59 percent in 1968.

Black Pride
The years of civil rights activism in the South led to an upsurge in racial pride and militancy among blacks throughout the nation. In 1966 the SNCC announced that the goal of the black movement was no longer civil rights but “black power” which could be achieved only when black people developed a more positive image of themselves. Such sentiments coincided with a trend toward black militancy in northern urban centers spearheaded by Black Muslims. Although the best-known advocate of black nationalism, Malcolm X, had attracted only modest support at the time of his assassination in 1965, his ideas became increasingly popular after his death. His calls for armed self-defense reflected widespread anger among urban blacks that burst forth in extensive racial violence in Los Angeles in August 1965. During the following three years, nearly every major urban center in the U.S. experienced similar black rebellions. The Kerner Commission, set up by President Johnson and headed by Illinois Gov. Otto Kerner (1908-76), reported in 1968 that the “;nation is moving toward two societies, one white, one black—separate and unequal.” New militant organizations, such as the Black Panther party, sought to provide leadership for discontented urban blacks. The outspoken radicalism of many black leaders resulted in considerable federal repression, and by the late 1960s most of the black militant groups had been weakened by police raids as well as internal dissension. Before his assassination in 1968, even Martin Luther King, Jr., became a target for government surveillance and harassment, as he responded to the new mood of militancy with forceful attacks on U.S. involvement in the Vietnam War and with calls for economic reforms.

Blacks attending college launched a movement to introduce black studies into the curriculum, which resulted in better knowledge of the African-American experience. A new spirit of racial assertion was especially evident in sports; in the 1960s black athletes brought into college and professional sports a distinctive, individualistic, and spontaneous style of play, often over the objections of white coaches and sportswriters. For example, the heavyweight boxer Muhammad Ali’s refusal to be inducted into the army temporarily cost him his world championship but also made him a hero to many blacks.

An article from Funk & Wagnalls® New Encyclopedia. © 2005 World Almanac Education Group, A WRC Media CompanyThe Late 20th CenturyThe declining effectiveness of the radicals gave more moderate black leaders a chance to reassert themselves, although they, too, often adopted elements of the black consciousness rhetoric. Thus, during the 1970s public attention was increasingly directed toward leaders reflecting a variety of strategies that did not threaten the American social order. Thurgood Marshall, the first black appointed to the U.S. Supreme Court, symbolized the possibilities for working within the political system. The executive director of the Urban League, Whitney M. Young, Jr., transformed his organization into an important social welfare institution.

The formation of the Congressional Black Caucus provided black U.S. representatives with the means to determine priorities of racial reform. The National Black Political Convention, held in 1972 in Gary, Ind., was attended by 8000 delegates and marked an effort to broaden black participation in discussions of political alternatives. In that year Representative Shirley Chisholm, a Democrat from New York, became the first black woman to run (albeit unsuccessfully) for the presidential nomination of a major party.

Blacks in the Arts
The upsurge of activism in the 1960s significantly affected black social and cultural life. As in the 1920s, black people manifested growing interest in African and African-American history and closer identification with the disinctive aspects of their culture. The writers Ralph Ellison and James Baldwin and the playwright Lorraine Hansberry (1930-65) had suggested the new direction even before the ’60s, but the dramatist and poet Imamu Amiri Baraka (originally named LeRoi Jones; 1934- ) set the tone for the late ’60s with his emotional condemnations of white values.

The cultural revival continued, although not always within the confines of the earlier militant mood. Writers such as Alex Haley, Paule Marshall (1929- ), the 1993 Nobel laureate Toni Morrison, Alice Walker, and Gloria Naylor (1950- ) committed themselves to describing and analyzing the black experience. Among the playwrights of that period were Pulitzer Prize winners Charles Fuller (1939- ), who received the prize in 1982 for A Soldier’s Play (1981), and August Wilson, who in 1987 received the prize for Fences (1986) and The Piano Lesson (1990). Poets also contributed their voices, among them Gwendolyn Brooks—in her To Disembark (1981) she calls for a “disembarking” from oppressive white cultural patterns—Maya Angelou, Nikki Giovanni (1945- ), and poet-playwright Ntozake Shange (1948- ). The poet, playwright, and novelist Rita Frances Dove (1952- ) was appointed U.S. poet laureate in 1993, the first black woman to hold that honor. In other media there have been the world-renowned operatic soprano Leontyne Price; dancer-choreographer Alvin Ailey, whose works expressed the black heritage; filmmakers such as Gordon Parks (1912- ), Melvin Van Peebles (1932- ), and Spike Lee; and painters, working in different styles, among them the poetic Romare Bearden (1914-88), the realist Jacob Lawrence (1917-2000), and Benny Andrews (1930- ). Andrews, whose paintings are social commentary in allegorical form, was one of the organizers of the Black Emergency Cultural Coalition, which in 1969 protested against the inadequate representation of blacks in American art. From rhythm and blues in the 1950s to hip-hop in the ’90s, black performers have had a major influence on the development of popular music in the U.S. and throughout the world. See also American Art and Architecture; American Literature; African-American Music; Rock Music.

Political Gains
Despite setbacks, the black activism of the 1960s produced some lasting political gains. As black residents of central-city areas became sizable minorities—and, sometimes, majorities—of the electorate, black candidates were able to win elections. During the 1970s black mayors were elected in Cleveland, Ohio; Gary, Ind.; Newark, N.J.; Washington, D.C.; Atlanta, Ga.; New Orleans, La.; Los Angeles; and other U.S. cities. The 1980s brought the election of black mayors in Chicago, Philadelphia, New York City, and other cities throughout the country; the total number of black mayors was 318 in late 1990, the same year that Democrat L. Douglas Wilder (1931- ) took office as governor of Virginia. Overall, the number of black elected officials in the U.S. rose from about 300 in 1965 to some 7480 (including 26 members of Congress) in late 1990. Two years later, the first black woman senator, Carol E. Moseley-Braun (1947- ), was elected from the state of Illinois. Gen. Colin L. Powell became the chairman of the Joint Chiefs of Staff in 1989, played an important role in the Persian Gulf War (1991), and remained one of the nation’s best known and most admired public figures throughout the 1990s into the 2000s, becoming secretary of state in George W. Bush’s administration in 2000.

These gains were counterbalanced by less favorable trends. An upsurge of black voter registration, stimulated in part by the 1984 and 1988 Democratic presidential primary campaigns of Jesse Jackson, a Baptist minister and social activist, came to a halt in 1988. Since that time, black voter registration and turnout have declined. The 1994 congressional election, in which only an estimated 37 percent of eligible black voters cast ballots, resulted in the loss of the Democratic party’s majority in the House of Representatives and a consequent decline in influence by the Congressional Black Caucus. Moseley-Braun’s reelection defeat in 1998 meant that, as the 1990s ended, the U.S. had not a single African-American senator or state governor. There were 39 black members of the House, of whom all but one were Democrats.

Income and Employment
The economic status of African-Americans was also a mixture of highly visible improvements and persistent problems. Throughout the 1970s and early ’80s, blacks made steady gains in academic achievements, greatly increasing the size of the black middle class. In the late ’80s, it became increasingly difficult to sustain earlier gains, and in some instances small reverses occurred. In 1980, 9.2 percent of all blacks were enrolled in college. By 1990, only 8.9 percent were enrolled. While the median black family income rose to more than $19,700 a year and about 29.6 percent had annual incomes higher than $35,000, black family income remained at less than three-fifths the median family income of whites. In ironic contrast to the economic dynamics that first brought Africans to North America, some of the most vital U.S. industries began to use foreign workers—usually not unionized, and unprotected by minimum wage laws—instead of unskilled urban black workers. Unable to obtain the industrial and domestic-service jobs that had attracted earlier generations of blacks to urban centers, ghetto residents were increasingly mired in economically depressed urban areas that offered few opportunities for upward or outward mobility. The long-term movement of blacks from agricultural and domestic-service jobs to urban industrial occupations—which some think did more for 20th-century black economic progress than all the civil rights laws and affirmative action programs—had become a spent force.

U.S. economic expansion in the mid- and late 1990s brought a corresponding improvement in the economic position of black Americans. Black college enrollments began to rise again, and by the late 1990s median black family income had increased to about $25,350, or approximately 62 percent of the median family income of whites. More than one of every three black families had an annual income greater than $35,000. On the other hand, about the same proportion of black families were still earning less than $15,000 a year, and unemployment rates among young black men and women were more than double those of whites. Black students also lagged behind whites in access to computers and the Internet, a significant impediment in competing for jobs.

Cultural Dichotomy
The common historical experiences and cultural values that made possible previous black movements for racial advancement remain a source of creative energy and cultural innovation. Many blacks have become enmeshed in middle-class society, with its pervasive institutions that supplant or absorb the distinctive aspects of African-American culture. Nevertheless, poverty and alienation continue to shield segments of the black populace from complete cultural absorption. Du Bois’s plea in Souls of Black Folk (1903) that blacks maintain their cultural heritage was combined with a realization that they have a “double consciousness.” He wrote, “One ever feels his two-ness—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.”

Did You Know?

African-American Icons

Resources

Maps

Great Speeches

Related Exhibits

Black History Month – Video Clips

Information from TheHistoryChannel.com and Funk & Wagnalls® New Encyclopedia. © 2005 World Almanac Education Group, A WRC Media Company

 

Felted Knitting Needle Case February 8, 2007

Filed under: Hobbies, Knitting, Needlework, Yarn — scrapncraft @ 12:22 am

felted knitting needle case

In my searching for great patterns, and my curiousity about felting, I found this beautiful felted needle case, which features an un-felted knitted cable in a contrasting color, an ingenious device to organize your needle collection in style.

For instructions and to download this pattern visit Berroco.com.

 

Column of Leaves Scarf January 16, 2007

Filed under: Crafts, Hobbies, Knitting — scrapncraft @ 12:11 am

Well, today must be the day for me to post!!  Actually, I was Stumbling and found this really wonderful scarf (I have done one review, today, and feel that is enough) and desperately wanted to share it, but without permission for this one in particular, I didn’t want to post until I had permission.  Brooke Nelson gave me the permission to reference her pattern.  Here is her site: http://brookenelson.com/leafscarfpattern.html .

 

Scrapbooking Clearance Sale!! January 14, 2007

Filed under: Scrapbooking, Uncategorized — scrapncraft @ 1:12 am

Have you ever been to one of those Scrapbooking Clearance Sales….that were just too good to be true??  Well, Beary Patch is having a HUGE Sale, over $300,000 dollars of inventory is on clearance!  This is definitely time to buy!!

Visit http://www.bearypatchinc.com/ for their sale and for product ideas.

 

Scrapbook Answers…. January 7, 2007

Filed under: Scrapbooking — scrapncraft @ 7:18 pm

Have any of you heard?  I had not until just recently, but Scrapbook Answers Magazine is no longer going to be in print.  I had thought that all the girls in my small town and bought the copies and that I was going to have to go check it out at one of their homes.  But, I was wrong!  There will be no more issues.  This is so sad to me…I thought that they were the Very Best magazine out there!!  It is always the first one I buy, then I determine how much I really want the other ones, or I just go to my girlfriends house, and read theirs!  Here is a link that I feel is very important for any avid reader/fan of Scrapbook Answers to read: http://scrapbookanswers.com/forum/viewtopic.php?t=1495 .  I thought that this was an important letter to read, to get the details straight!  I hope that we find these girls and their staff back in a place where we can all enjoy their talents again!!

 

Tiny Happy @ Typepad December 28, 2006

Filed under: Blogroll, Crafts, Hobbies, My Polls, News, Uncategorized — scrapncraft @ 4:27 pm

First off….this is my first Official Review!  So, I hope I remember everything, and do this Review it’s due Justice!!

 I was Stumbling and came across the site of Tiny Happy and what I found on her blog was so Creative! She recycles old childrens books and uses the pages that are falling out to put on bags that she puts her handmade crafts in when she sells them. Now, for a more accurate and better description of “how and what” you should go and check out this page on her site.

Now, time for the Review!  I liked a lot of her pictures, her crafts, and the way she writes, and for her originality!  I am going to do my Review mostly on her Craftiness…and give TinyHappy a rating of

 

Have you Stumbled??? December 18, 2006

Filed under: Blogroll, Crafts, Hobbies, Techie Stuff, Uncategorized — scrapncraft @ 10:29 pm

Have you Stumbled Upon lately?  My husband is a guru in the internet community, and he is always finding new techie tools and telling me about them.  If you haven’t signed up on StumbleUpon.com you should do it right away! It is still fairly new…but, it is a great resource for anyone who is wanting to look up great sites!  The reason it is different from most search engines, is because other people just like you and I are recommending their favorite sites or sites that they have been to and liked.  You can also blog there, which isn’t what interested me, but, hey….you never know!  Anyway, I am hooked!  I love this tool bar!!  And, I love all the great info that I have found!  Anyone who reads my blog know that I mostly try to write about a subject and post it like an article, but, since I have a new partner and I do this very same thing for several of our sites, I decided that I would still try and keep up my blog here, and do what I have always done, but also I wanted to be a bit more personal and share some things that mean something to me.  Anyway, here is a link to my Stumble page, you should check it out!!

http://nilly1a.stumbleupon.com/

 

The Deaf and Hard of Hearing Community December 2, 2006

Filed under: Uncategorized — scrapncraft @ 10:49 pm

I have two children who are hard of hearing.  I recently received an email entitled “How will Sign Language Survive?”  This peaked my curiosity.  I had to read more. 

Jaime Berke at About.com’s Your Guide to Deafness, had this to say:

We know that sign language will survive (it is too popular to die out completely) but I am wondering how well it will survive as more deaf babies receive cochlear implants and hear well enough that they do not need sign language as they grow up. Are we going to see a marked reduction in sign language use in the next generation? This question was brought to my mind by the article link posted by LoopyLes on the forum. The article, a New Scientist magazine article, starts off with “COULD the end of sign language for deaf children be in sight?”

After reading this article, and inserting my own viewpoint, I came to the conclusion that most of us hearing people don’t understand enough about the deaf world to give the assumption that there may not be a deaf community.  I had a lot of mixed feelings about this article, but after reading it, I thought that I should pass this along for others to read.

Anissa

 

Using Scraps to make a border on your layouts! November 24, 2006

Filed under: Scrapbooking — scrapncraft @ 9:28 pm

Guide for Patchwork Borders:

Size Color Quantity
12 inch x 2-3/4 inch background color 1
3-1/2 inch x 1 inch Color 1 2
1-3/4 inch x 2-1/4 inch Color 1 1
2-inch x 1-inch Color 2 1
2-1/4-inch x 2-inch Color 2 1
2-inch x 1-inch Color 3 1
2-1/4 inch x 1-1/4 inch Color 3 1
 

Goal Setting for Scrapbooking October 15, 2006

Filed under: Blogroll, Journaling, Scrapbooking, Uncategorized — scrapncraft @ 4:58 pm

Some of the best free scrapbooking tips one can learn involve goal setting! Yep, you read it right.  There are so many aspects to scrapbooking, so many supplies and pages that it’s nearly impossible to complete a great scrapbook without goals.

Goal Setting For Scrapbooking:

Always set goals that are attainable and make small steps in order to reach your goals.  Once you have reached your goal, make more.

Remember, you are only human you may forget, so write them down. If you don’t reach your goal, think about what you did well and how you can improve next time. Don’t overwhelm yourself with the big picture; focus only on small attainable goals.

Write specific goals at the beginning of each year. These goals could include:

•Amount of albums to start

•Budget

•Specific Albums You Will Complete

•Baby – 1 7×7 for each set of grandparents

•Pregnancy – 1 for baby, 1 for yourself

•Vacation – 1 for yourself – 1 7×7 for each child

•Christmas – 1 12×12

These could be your big goals for the year. Write out the steps you need to take to reach each goal.

Goals should have deadlines. Make yourself accountable.

Be patient with yourself, keep going when you don’t feel inspired. Just change the scenery, read a book, & get ideas from different sources.

Example of Goal Setting

Goal 1 – Vacation Album – 1 12×12 for family and 1 7×7 for each child.

Each month I will sit down and commit to a 2-page layout in each album. Plus, I will do the borders for next month’s layouts.
Goal 2 – Pregnancy Album – 1 12×12

Each month I will sit down and commit to a 2-page layout. I will take pictures of all major events like hearing the baby’s heartbeat for the first time, or your first visit to the doctors office.

After you have written out all of your goals, keep the sheet handy in your scrapbooking workspace and cross off each goal as you complete it.

 

The New Trends in Crafting September 5, 2006

Filed under: Crafts, Scrapbooking, Uncategorized — scrapncraft @ 11:57 pm

NewsFor those of you who are interested in knowing the latest trends and fashions, we pass along some interesting information regarding the emerging trends in paper crafts and other types of crafting. It’s certainly true that the only constant thing about crafting is constant Change…
According to the National Craft Association:

The crafting “church bazaar” look is being replaced with the more professional high-end quality look and feel of the handmade craft products being produced. Simple, elegant items that are functional and fit the trend of a more simple and modern style.

Pink will flow from the fashion world into the home décor arena. Also watch for cheerful and bright colors to follow. Pay attention as home décor designers are taking a cue from the fashion colors and designs to incorporate into their work.

The preppy look continues to grow. The look is simple and conservative. Showing small simple motifs, ribbon, embroidery and monograms.

The more modern look with more color seems to be favored over Shabby Chic. Home décor look is showing a clean finished look using warmer tones, adding more color and texture. Moving away from the chipped peeling look that was so popular.

Beading embellishments are in, from jewelry, to home décor, to fashion and accessories.

Even paper crafts are going more simple, elegant and modern. Couples are opting for making wedding stationery, invitations, thank yous and place cards for their own personal touch.

Paper Arts and Scrapbooking are hot and getting more creative thanks to the advancement of many new products. Handmade greeting cards are elegant, upscale with attention to detail.

Metal crafts no matter if it is sculpted, punched or embossed are growing in popularity.

Decorative painting is moving from the traditional into using multiple materials on one piece. Like creating a bit of a decoupage look by combining some paper, embellishments and decorative painting skills to design one unique piece.

Mixed Media Collage is the new buzz word replacing the “Altered Art” term. This term shows more staying power, more upscale and blurring the lines between craft and fine art. Watch for this to continue to grow as it is fueled by the paper crafting, embellishment, scrapbooking and collage trends we are seeing take hold.

Products are all about self indulgence, self esteem, spirituality, communication, positive energy, beauty and everything women hold dear. The looks range from frilly and romantic to modern, playing up to the empowered women.

Consumers looking to express their individuality are driving the personalization and customization trend. A hot trend artisans can take advantage of.

Mixed media collage, home accessories, paper crafts, jewelry, and apparel trends are all feeding off the trend to add embellishments like, beads, trims, ribbons, flowers, charms, buttons etc. on everything.

Quilting is not just a craft anymore, it is more of an art form. While adorning the bedroom we are also seeing it move into all areas of home décor, wall art and even Quilted paper crafting.

A more sophisticated look is emerging the style is urban, artsy, unique to the creator. And the new direction doesn’t follow a pattern which allows for a lot of creativity.

Faux decorative painting goes everywhere on wood, metal, glass, ceramic etc. Faux treatments have become easier with the new products and artisans are busy developing new ideas to create new looks.

Fueled by a younger demographic, urban style, popular culture, world events, media trends, club culture, generational shifts, fashion, and more are influencing art & craft design.

Patterns like stripes and polka dots are everywhere. Stripes are a mix of narrow and wide lines, while polka dots are usually set on a solid color background. Stripes seem to be using three to five colors, and the polka dots are in three to four colors. Modern graphic prints are being joined with romantic and nostalgic prints to give a more modern flair.

The more worldly, elegant and modern trend dominates, the safari and lodge looks are fading.

Fashion and home décor are using a mix of natural materials and textures to create a modern look.

Now you know what’s HOT and what’s on it’s way out…..

 

I heart… September 3, 2006

Filed under: Scrapbooking — scrapncraft @ 9:57 pm

sunny-kohler.jpg

There are some people you just love to be around. There are some people who make you laugh. There are some people who you just “click” with. That’s how I feel about Sunny and how I’ve felt about her since the first time we met. Everyone has that one girlfriend that just speaks their same language.  I have had many friends…still have many friends.  What is the difference between a friend and a sister?  Technically, a sister is a blood relative, a friend is not.  I have several VERY GOOD Friends, the kind that you could talk to every day or once a year, maybe once every other year, and no matter what…you are still the best of friends.  Those, are the greatest friends.  I believe there is one that is just a step above that…what is that kind of friend called?  I believe most people say…its your best friend.  I wonder if it is not…actually, I believe it’s more!

Sunny is one of those people who opens up and gives you the world!  She is one of the most selfless people I know.  This sometimes comes to her detriment.  Sunny is also very Creative!  Sunny has a great blog,  and a great website…check them out…

Sunny’s Blog:

http://sunnykohler.blogspot.com/

Sunny’s website:

http://www.sunnyscraps.com/

 

Scrapbooking…not just for photos August 31, 2006

Filed under: Scrapbooking — scrapncraft @ 10:42 pm

Scrapbooks aren’t meant just for photos. Keep movie ticket stubs, concert ticket stubs, love letters from boys, children’s artwork, your favorite brand name clothes tags, a test with an A+ on it and many other items.

Today, we can still preserve our memories by adding these extra little things to our scrapbooks. I recommend making copies of everything. Unless the original paper is acid free, it will yellow and crumble with time. There are also archival sprays that may be helpful.  Include the original in your scrapbook, but also keep a copy.

So, what types of “extras” are fun to put into scrapbooks?

· Report Cards

· Essays from School

· Birthday Invitations

· Maps of Cities Visited

· College Brochures

· Greeting Cards

· Post Cards

· Decorative Napkins

· Place Cards from Table Settings

· Pressed Flowers

· Receipts & coasters from a Favorite Restaurant

· Play and Concert Programs

· Sporting Event Tickets and Programs

· Magazine and Newspaper Articles

· Old Drivers Licenses

· CD Covers

These items can be added to individual pages or they can be left intact and put into a sheet protector alongside photos of the events they represent.

There is no limit to the items you can put into your scrapbook. Extra items help to tell the overall story.

“101 Scrapbooking Tips” is available for free at

http://www.Scrap-n-Craft.com

                                                         Molly Mormon Reading

 

Family Reunions August 21, 2006

Filed under: Geneology — scrapncraft @ 12:33 am

 Family Reunion

I typically like to write things that are useful and inspiring.  My life doesn’t fit into that category, but, I got some pics from my cousin and thought it would be fun to share! 

Not all of the family was there, but, those who were there enjoyed themselves!  My kids loved it!  Isn’t it good when one family member takes the time and puts forth the effort to do something that others may have thought of doing, but never gave it their full attention?  Thanks to Audrey, we were able to enjoy each other’s company and take some much needed time to visit with each other!  Thank you Audrey!!!  You are the Woman! 

Also, my uncle did a little geneology quiz for us, and I thought it would be inspiring to those of you out there who enjoy finding, sharing and encouraging others to learn more about their family!

Here is the quiz:

WOOLF ANCESTOR QUIZ

Questions:

1. What ancestor received a blessing, while sick, from the Prophet Joseph Smith?

2. Name two ancestors who lived in Nauvoo.

3. Name two ancestors who were Handcart pioneers.

4. Name one ancestor who fought in the Revolutionary War – for the British.

5. Name one ancestor who fought in the Revolutionary War – for the Colonies.

6. Name one ancestor who was befriended by a signer of the Declaration of Independence.

7. Name an ancestor who was baptized in the early 1830’s.

8. Name an ancestor who was baptized in the 1840’s.

9. Name one ancestor who had a neighboring farm to Joseph Smith in Nauvoo.

10. Name one ancestor who served in the Mormon Battalion.

11. Name one ancestor who was a ward missionary companion with Martin Harris’s son.

12. Name one ancestor couple who were endowed in the original Nauvoo Temple.

13. Name one pioneer ancestor who arrived by wagon train in SLC in 1847.

Answers:

1. John Anthony Woolf III (born February 27, 1843, PPMU pg 1262) see SDB pg 2

2. Lot Smith, John Anthony Woolf, Sarah Ann DeVoe Woolf, William Hyde, Elizabeth Howe

Bullard (see HNLRRC)

3. Ellen Harrod & Charles Harrod daughter (age 21) and father (Edmond Ellsworth Company of 1856) see

MPOT

4. Anthony Woolf I (born 1761, Pressed to serve with British as Hessian Soldier) see BJAW pg 1

5. Anthony Woolf I (deserted British Army & joined the Revolutionary Army) ibid pg 1

6. Anthony Woolf I, befriended by Lewis Morris (ibid, became U.S. Citizen 27 January 1797) ibid pg 1

7. William Hyde (Born: September 11, 1818; baptized: April 7, 1834) LDSBE pg 759

8. Sara Ann Devoe Woolf (born 10 April 1814, baptized May 20, 1841 see SDB pg 2; also see PPMU pg 1262)

9. John Anthony Woolf Jr. (born 1805 see PPMU pg 1262; MN Vol. II, pg 1400)

10. William Hyde (16 July 1846, Second Sergeant; 20 July 1847, Captain see LDSBE vol. pg 760),

Lot Smith (Lot was age 16 and a Private, in Company E see CHMB pg 125; also see LDSBE vol. 1 pg 803-4)

11. John Anthony Woolf III (born February 27, 1843 see PPMU 1262) see affidavit signed by Milton H. Woolf

12 William Hyde & Elizabeth Howe Bullard (23 December 1845, see Nauvoo Temple Endowment Register);

John Anthony Woolf II & Sarah Ann Devoe (10 January 1846 see Nauvoo Temple Endowment Register)

13 John Anthony Woolf II, Sarah Ann Devoe, children: Absolom, Sarah Ann, James, Hanna

Eliza, Isaac, John A., & Andrew (see HTW Vol. 8 pgs 428 – 429, PPMU pg 1262, and MPOT)

Sources:

PPMU = Pioneers and Prominent Men of Utah

SDB = Sarah Ann Devoe Biography manuscript, 1935 by her niece Phyllis Ascroft Scholes and Mildred Daines

HNLRRC = Historic Nauvoo Land and Records Research Center: Hancock County Townships, Nauvoo & Carthage map

MPOT = Mormon Pioneer Overland Travel, 1847–1868 @ www.lds.org/churchhistroy/library

BJAW = Biography of John Anthony Woolf Jr. manuscript by his niece Phyllis Ascroft Scholes and Mildred Daines

LDSBE = Latter Day Saint Biographical Encyclopedia

MN = Mormons and their Neighbors, Vol. II, 1984

CHMB = A Concise History of the Mormon Battalion in the Mexican War

HTW = Heart Throbs of the West, Kate B. Carter DUP SLC Utah 1947 Volume 8

 

Scrapbooking’s Increasing Popularity August 1, 2006

Filed under: Crafts, Events, News, Scrapbooking — scrapncraft @ 10:26 pm

There is a great article on CraftyPlaces.com about Scrapbooking and how it is steadily increasing in popularity.  It would be well worth your time to read it! 

http://scrapbooking.craftyplaces.com/80/scrapbookings-increasing-populartiy/

 

The ABC’s of Scrapbooking, A Scrapbooking Glossary August 1, 2006

Filed under: Scrapbooking — scrapncraft @ 12:11 am

AAlbum — Blank book used to store photographs and scrapbook pages.

Analogous Colors — Colors that are next to each other on the color wheel.

Aperture — The opening in a camera that lets in light. The aperture opens and closes when the shutter is released.

Archival — Term used to describe a product or technique used in preserving artifacts, photographs, memorabilia and other items.

B

Basic Templates — Templates in basic shapes, such as circles, squares, ovals, etc.

Blending Pencil — Tool used to blend colored pencils to create different shades of a color.

Buffered — Word used to describe products capable of maintaining the core of a solution. For example, buffered paper prevents acid from moving from a photograph to paper.

C

Calligraphy — Formal, old-fashioned lettering.

Cardstock — Thick, sturdy paper available in a variety of weights.

CK OK (Creating Keepsakes Okay) — Scrapbooking seal of approval. Items that have the CK OK are considered safe to use in scrapbooking.

Clip Art — Art purchased in book or software form with pictures that can be applied to scrapbook pages.

Collage — An artistic composition made of various materials (paper, cloth, wood, etc.) that are glued onto a surface.

Color Wheel — Shows color relationships and placement.

Corner-Edger Scissors — Scissors that cut corners. Each pair creates four different types of corners.

Corrugated Paper — Thick, wavy cardstock available in many colors.

Crop — 1. To cut or trim a photograph. 2. A scrapbooking party hosted by an expert who shares techniques, products and information with the group.

D

Deacidification Spray — Spray that neutralizes acid in newspaper clippings, certificates and other documents.

Decorative Scissors — Scissors with a decorative pattern on the blade.

Die-Cut Designs — Paper designs cut from die-cut machines. Paper is placed on the die and pressure is applied either by rolling or pressing down on the handle.

Double-Mount — To place a photograph on two background papers.

E

Embellishment — Any scrapbooking extra (stickers, die-cuts, punches, etc.) that enhance the pages.

Emboss — To create a raised surface by applying heat or pressure.

Encapsulation — A method of displaying three-dimensional memorabilia and protecting nearby items from acid contained in the memorabilia. Items are encased in stable plastics.

F

Fibers – a material made by compressing layers of paper or clothFilm Speed — Refers to film’s sensitivity to light. Lower-speed films are less sensitive (use these on a bright, sunny day). Higher-speed films are more sensitive (use these in low-light situations).Fine and Chisel Pens — This pen has a fine tip (0.5 mm) and a chisel tip (6.0 mm). The fine tip is good for lettering and it’s extremely versatile.

Focal Point — The element of a design where lines converge. The eye is naturally drawn to the focal point in an image.

G

Gel-Based Rollers — Pens with pigment ink.

Genealogy — The study of the descent of a person, family or group from an ancestor. Many people who wish to create a family tree by researching their family’s genealogy.

General Pattern Paper — Paper with patterns (stripes, dots, plaids, etc.) that is made to be used for any occasion.

Gift Album — A compilation of photographs and mementos created with a person or event in mind.

H

Handmade Paper — Paper made by hand that is often rough and uneven in texture. There are flowers and leaves in the paper sometimes, which can add to the natural look.

Handmade Scaps — Embellishments made from layered-looking die-cuts.

Heading — The caption or title that explains the theme of a layout.

Heritage — Traditions passed down from generation to generation.

I

Idea Books — Books usually about one aspect of scrapbooking. Some are written for particular themes (weddings, babies, pets, etc.) while others are devoted to a particular product (stickers, die-cuts, templates, etc.).

Intensity — The strength of a color based on how true it is to the primary color.

J

Journaling — Any words you write in your book or on the scrapbook page, from titles and captions to long descriptions, poems or stories.

Journaling Templates — Templates with space left for writing.

K

L

Layout — The grouping of pages in your scrapbook that go together. Some layouts fit on one page, most fit on two and some are put on panoramic layouts.

Letter Templates — Templates in the shape of letters of the alphabet.

Light Refraction — Light bent through a prism that shows the colors of the visible light spectrum: red, orange, yellow, green, blue, Indigo and violet.

Lignin — A naturally occurring acid substance in wood that breaks down over time. Paper with lignin is not suitable for archival projects.

M

Mass-Merchandising Store — Stores that sell a large variety of products from sundries to automotive tools to craft supplies.

Master Family Album — Holds photographs of everyone in the family and family documents, typically in chronological order.

Memorabilia — Certificates, documents and other items that tell a story. Memorabilia can include souvenirs from trips and mementos from special occasions or historical events.

Monochromatic Color Scheme — Employs different values of the same color.

Mount — To adhere a photograph, embellishment or other item to another piece of paper.

Muted Colors — Subdued tints or shades of colors that tend to be more suitable for backgrounds.

N

O

Oval Croppers/Cutters — Paper trimmers that cut paper and photographs into ovals.

P

Page Protectors — Plastic sheets that display and protect pages.

Page Toppers — Hand-drawn illustrated phrases in bright colors meant to be used as titles at the top of pages.

Page Exchange — Participants are invited to create a page to share with other scrapbookers. Often, a theme is given (Halloween, Christmas, etc.). Each participant brings enough copies of an original page to trade with the others.

Paint Pens — Pens with soft, brush-like tips. The amount of ink dispensed is controlled by the pressure that is applied to the tip.

Paper Trimmers — Paper-cutting tools used by placing paper, lining it up on a grid and moving down a blade.

Pattern Paper — Paper with designs repeated on the entire page.

Perforated Punches — Shapes that the scrapbooker can use as embellishments on a page by punching out on the perforations.

pH Level — Measurement that tells a scrapbooker how acidic or basic something is. For scrapbooking, you want to use products with a pH level of seven or above.

pH Testing Pen — A pen used to test the acidity of paper. The pen mark changes colors, depending on the level of acid present.

Photo Activity Test (P.A.T.) — This test, created by the American National Standards Institute, determines if a product will damage photographs. If a product passes the P.A.T., it is safe to use with your photos.

Photo Corners — Paper with adhesive on the back used to adhere photographs to a page on the corners. Used to adhere photos in scrapbooks and photo albums without applying adhesive directly to the photograph.

Polypropylene, Polyethylene and Polyester — Stable plastics that are safe for photographs.

Post-Bound Albums — Albums that are held together with metal posts that run through the pages.

Pre-Embossed Paper — Paper with a raised design. Some of it is thick, like cardstock, and some is vellum.

Product Swap — A scrapbookers’ swap meet where the host gathers up duplicates of products or tools that she/he doesn’t use anymore. The guests also bring their unwanted scrapbooking items to trade.

Punch — 1. A tool used to create small shapes. 2. the shapes created by the punches.

Puzzle Templates — Templates in puzzle shapes.

PVC (Polyvinyl Chlorides) — Because this substance is harmful to photographs, scrapbookers should avoid it and use products that are composed of polypropylene.

Q

R

Red-Eye Pen — Used to take red-eye out of flash photographs.

Reversible Adhesive — An adhesive that can be undone.

Rubber Stamp — A detailed, intricate design cut out of rubber and mounted on wood or foam. A design is made by applying color to the rubber and imprinting on paper.

S

Scroll and Brush Pens — Pens that have one tip for coloring and one for writing.

Secondary Colors — Colors created by blending primary colors. Orange, green and violet are the secondary colors created b mixing a combination of red, yellow and blue.

Shade — A color with black added to it.

Shape Cutters — Tools designed to cut shapes (ovals, circles, squares, etc.). The cutters can be adjusted to create different sizes of these shapes.

Specialty Paper Books — Books that contain information about different papers, both pattern paper and plain. Some may come with extras, such as templates.

Spiral-Bound Books — Albums that are secured with a metal or plastic spiral binding running up the side of the album.

Stationery — Paper with a decorative border that is blank on the inside.

Sticker — An adhesive decorative accent ranging in size from a few centimeters across to a full page.

Strap-Binding Albums — Albums secured with plastic straps that run through a holder directly on the pages and keep the book in place.

T

Tape Roller — A device that distributes tape on the back of photographs and scrapbooking pages.

Template — A stencil used to trace shapes onto scrapbook pages or photographs.

Tertiary Colors — Also called intermediate colors, these are blends of primary and secondary colors. Colors such as red-orange and blue-green are tertiary colors.

Theme — The overall emphasis of a page or scrapbook.

Theme Album — A scrapbook devoted to one idea. Some popular them albums focus on birthdays, weddings and school days.

Time Capsule — A container holding historical records or objects that represent a culture and that is deposited for preservation.

Tint — A color that has had white mixed in.

Title Sheets — Pages with a variety of premade titles. They are often used as the starting point for a section in a scrapbook.

Tole Painting — Painting on wood, typically done in a rustic style and depicting country scenes.

Triad — A group of three colors that form a triangle on the color wheel.

U

V

Vellum — A lightweight, translucent paper.

Velveteen — An archival paper with fabric-like, velvety texture.

Vivelle — An archival paper with fabric-like texture similar to a terry-cloth towel.

W

Wax (or grease) Pencils — Soft pencils designed for use on photographs.

Wide-Edge Scissors — Decorative-edge scissors that make a cut that is five times deeper than normal scissors.

Workshop — A class usually held at a scrapbooking store and taught by an expert. Participants bring photographs and pages to work on and get advice from the instructor.

X

Xyron Machine — A machine that applies adhesive to pages and can also laminate.

Y

Z

RESOURCES:
Glossary Credits

DIY’s Scrapbooking Glossary terms, craft & scrapbooking experts, books, magazines, newspaper articles, and online.

 

Crafty Places August 1, 2006

Filed under: Crafts, News — scrapncraft @ 12:06 am

Crafty Places in a fairly new site on the internet, which is devoted to crafts and scrapbooking.  I am a Design Team member for this site and am excited to be involved.  There is a lot of great information to be read…

The following link is to my latest article:

http://www.craftyplaces.com/72/scrapbooking-crafting-trends-merge-be-inspired/

Check back often for more info on crafts and scrapbooking!

 

ATC’s (Artist Trading Cards) July 16, 2006

Filed under: ATC's (ARTIST TRADING CARDS) — scrapncraft @ 10:08 pm

Have You Heard of ATC’s?  Did you wonder what they were?  Let me explain: 

ARTIST TRADING CARDS are miniature works of art created on 2 ½ X 3 ½ inch or 64 X 89 mm card stock.  ATC’s are originals, small editions and, most importantly, self-produced. anybody can produce them.  The idea is that you trade them with other people who produce cards, either at TRADING SESSIONS or wherever you meet another ATC trader in person.  The concept of ATC is the person-to-person trade, as well as trading by mail. The most fun is to trade person-to-person though. The basic idea is the card-for-card trade. [Although sometimes some people think one from their cards is worth more than one from the others - mostly with the argument that they put more work into their atc.]

WHERE TO TRADE YOUR CARDS
There are two ATC centers which organize Trading Sessions on a regular basis: one in zürich and one in calgary. The idea of the centers is not the private collection (there are many of those around of course) but the communication. The centers are open to the public and they also organize the ATC Trading Sessions. The centers are places to communicate the idea of trading cards and to hold the events.

TRADING SESSIONS
Hopefully there will be more centers soon : ANYBODY CAN ORGANIZE A Trading Session. The only stipulation is a certain continuity (eg. every month on a regular day).

It is important that you meet other people in person to trade – i.e. it is ok to trade by mail or to participate in editions but the main purpose of this performance is the trading session and the personal meeting.  It’s not about money: participants in trading sessions and editions should not be charged any money: the point of the project is the exchange of cards as well as personal experience.  There have been other TRADING SESSIONS at irregular intervals in other cities.

The project was initiated in 1997 by zurich artist m.vänçi stirnemann. Since then several hundred people from all over the world have traded ATCs during TRADING SESSIONS, through mail or by participating in TRADING SESSIONS and SISTER TRADING CARDS (STC’s).

I found a great deal of information on the web.  Below are some places for you to find more information so that you can get started trading your own creations.

Ed Beals stated it this way:

ARTIST TRADING CARDS are a variation of the popular mass-produced trading cards available for sale all over the world. The difference is rather than buying them, you make them. This means that each card is an original work of art, or one of a small edition run that you can trade with other people who have created their own cards.

only one rule:

2.5″ x 3.5″
or
64mm x 89mm

ANY AND ALL MATERIALS and techniques are permitted (drawing in pencil, pen, marker, chalk or crayon etc., painting, photographs, collage, found materials, mixed media — anything!). There is only one rule– the cards should be the same size as traditional collector cards: 2.5 inches wide by 3.5 inches tall (64mm x 89mm). On the back you should sign and date your cards. If they are part of an edition you should number them as well.

http://www.myScrap-n-Craft.com This is my member site, I have a very small group but would love for you to join and participate with us!

http://www.artist-trading-cards.ch/index.html This site is devoted to ATC’s and has some great information for everyone, not just us beginners!

http://www.atcquarterly.com/index.html This is a great website! It is also the only ATC based magazine that I know of, and well worth a subscription!

As a final note, ATCs develop a sense of community, friendship and equality among the participants.  It also challenges the tradition of art as a commodity while emphasizing the portability of art, communication and ideas.
I hope this is informative and thought provoking!  LOL….Well, I hope you actually do more than just think!  Get working on your own works of art and email me and we can trade!

 

Online Journaling Classes July 16, 2006

Filed under: Journaling, Online Classes, Scrapbooking — scrapncraft @ 9:08 pm

Did you know, among the many of online classes these days, you can also take an online class for scrapbook journaling?  I found this Class while doing some research, and thougt I ought to share this with everyone!  ENJOY! 

 Essentials of Scrapbook Journaling

The Workshop length is four weeks and the tuition cost is $79.  You will also need to purchase your textbook, which is “Scrapbook Journaling Made Simple”, by the editors of Memory Makers.  The objective of the workshop is to provide you with an understanding of some fundamental journaling techniques and to encourage—through the use of creativity exercises, hands-on writing assignments and constructive feedback—the development of your individual journaling style and creative expression.

Learn how to create a more complete chronicle of the important times in the lives of those you love with this four-week course on scrapbook journaling. This online workshop will help you identify when you need to use words to add meaning to your pictures; teach you how to select the words that best communicate actions, thoughts, and feelings; give you tips on overcoming writer’s block; and teach you a variety of writing styles that will make your journaling more attractive and interesting. During the workshop, you’ll get helpful feedback on your journaling from an experienced instructor, and trade ideas and inspiration with other workshop participants!

This workshop will consist of four one-week sessions. Each session will include online lectures and associated textbook reading assignments, along with writing assignments incorporating the techniques learned in the session.

The workshop outline is as follows:

Session One: Getting Started

Session Two: Beyond the Basics

Session Three: When Journaling is Difficult

Session Four: Other Journaling Styles

Here is the link to get more information and sign up for the workshop:

http://www.writersonlineworkshops.com/viewworkshop.asp?workshopid=1039

 

Technorati July 8, 2006

Filed under: Techie Stuff — scrapncraft @ 10:49 pm
 

Recycled Sweater Yarn June 11, 2006

Filed under: Crafts, Yarn — scrapncraft @ 10:57 pm

YarnI bought a cotton sweater for 75 cents and a sweater made out of wool sock yarn with nylon in it for 50 cents. In order to recycle sweater yarn, you should follow a few simple steps, I don’t claim to know everything, but here are a few tips for recycling sweater yarn: You have to turn the sweater inside out and check the seams to make sure it can be unraveled. If the side seams are serged, it's been cut and you'll end up with a bunch of little strings. I also found out to check the shoulder seams. A lot of times they are serged and there is a piece of fabric in there. It's almost impossible to get that out, so if you want to take the time and carefully cut as close to the seam as you can, you won't lose too much yarn. The thread holding the side and sleeve seams together can just be unravelled in one big piece usually if you start at the bottom of the sleeve. I found a seam ripper (very cheap at Wal-Mart) is best to cut the seam threads. I wind my yarn straight onto a yarn winder. You can make a ball but we're talking 15 minutes versus about at least an hour!! Lastly, a lot of people say to wash the yarn before you wind it. I just wind it first and then will wash the finished project. I have never had the little wiggles in the yarn from it being previously used cause me problems while crocheting.

 

Online Photo Albums & Photo Sharing June 11, 2006

Filed under: Scrapbooking — scrapncraft @ 10:52 pm

Which Web sites create the best photo albums?

I found an article by Ulrich Boser, he tested and compared several different sites that offer photo sharing websites and the finished product, the photo album.  Follow the link below for some really great info on the process of creating a digital photo album and a great way to score the useability of each site.

Albumhttp://www.slate.com/id/2143039/?GT1=8295

 

WikiPedia and Social Networking Communities June 11, 2006

Filed under: Scrapbooking, Techie Stuff — scrapncraft @ 10:35 pm

Scrapbooking has several different definitions, I found some interesting info on WikiPedia and thought I would share it with everyone!  Follow this link to Wiki's site and for some general scrapbooking info. http://en.wikipedia.org/wiki/Scrapbooking 

I found this interesting!  Hope you do!!

 

National Scrapbooking Day!! May 7, 2006

Filed under: Events, Scrapbooking — scrapncraft @ 7:52 am

Who doesn't love shopping for Scrapbooking Supplies???  Not me, I am so totally addicted!  You probably wouldn't believe this, but my husband came and spent the night with me in SLC and on Saturday he came with me to The Original Scrapbooking USA show, and was my baggage handler.  He went around the show 3 or 4 times with me!  What a trooper!  On Friday, I was going to go and look around and then crop all night.  But, my plans on Friday didn't exactly go as planned.  First off, my girlfriend got sick (really sick) and wasn't able to go, so I called my sister and a friend to come with me and they weren't able to go either.  I had an aunt offer to watch my kids over night so that me  and my husband could go over night together.  We jumped on that chance!  Anyway, my husband became my date for the weekend to go shopping and see the latest things!  Well, I shopped until I dropped…I dropped several times!  I couldn't believe the great deals!  I got lots of paper, Sizzix stuff, stickers, embellishments, software, bags, and lot's more!  I am so excited to get with my girlfriends and get cropping!  I hope you all enjoyed National Scrapbooking Day as much as I did!  Don't forget that this month is National Scrapbooking Month!!  Make sure you search out those great deals!  And get your scrapbooking layouts done!

 Anissa

 

101 Scrapbooking Tips April 1, 2006

Filed under: Scrapbooking — scrapncraft @ 8:16 am

Here is just SOME of the information you will find inside 101 Scrapbooking Tips:

  • Realize that you do not need a lot of supplies to start your first scrapbook
  • Learn to create "Photograph Mosaics" for a "funky" look
  • Understand what to consider when adding puzzle pieces to your pages
  • Learn how to correctly add feathers to your scrapbook for an exotic look
  • Learn how to correctly add dried flowers to your pages for a "homey" look
  • Discover how tags can add a sense of professionalism to your project
  • Learn what you can do to fix mistakes… WITHOUT starting over
  • Find out how to use glass marbles to create a unique magnifying effect
  • Learn how to "tie-dye" with wax paper
  • Learn to create embossed foil for an antique look
  • Discover the usefulness of magnetic sheets for ever-changing scrapbook pages
  • Discover the unique look Shrink Paper can have on your photographs
  • Learn how to smudge your scrapbook…on purpose
  • Learn how to change the tint of photographs without a computer
  • Realize that some markers bleed and will ruin your scrapbook – learn which markers are best for your project
  • Discover the usefulness of wax pencils
  • Learn to create pockets to keep precious items temporary members of your scrapbook
  • Learn to add the technique of Faux Painting to your designs
  • Find out how to give a chalk appearance without dealing with the mess of chalk
  • Discover how to create a rusted metal appearance without using rusted metal
  • Find out how to highlight certain objects with Dry-brushing
  • Understand the importance of a color scheme and how it will affect YOUR scrapbook's appearance
  • Realize that some photographs contain chemicals that might spell disaster for your book
  • Understand that chronological is not the ONLY choice when selecting order
  • Find out what you need to consider when adding text
  • Learn how to add "curled edges" to your scrapbook for a unique effect
  • Learn how to make your scrapbook capture an "antique" feel
  • Learn how to add "Macaroni Art" to your scrapbook with out the hassle or mess
  • Discover the art of weaving photographs for a 3D look
  • Discover how to add "Popcorn Garlands" to your Christmas scrapbook
  • Learn to create Pop-Up Windows for an interactive scrapbook
  • Discover the wonders of Moldable Foam
  • Learn some tips for "embellishing" your scrapbook
  • Learn to choose the layout that works best for you. (Think shapes.)
  • Discover two unique substitutes for ribbon and lace
  • Learn how to use Embroidery Cotton to enhance your scrapbook
  • Understand how spacing can effect the feel of your project
  • Discover why old glue and paste methods are a thing of the past
  • Learn to create homemade paper for use in your scrapbook
  • Find out what "punching" means … It's not violent, I swear!
  • Find out how to add a look of elegance to your project with "Leather"
  • Discover how to use chalk to accent photographs
  • Discover what elements you need to pay attention to in order to keep your scrapbook from aging
  • Learn how to protect your scrapbook when including newspaper articles
  • Find where you can find graphics for your scrapbook for free
  • Learn how to use Vellum to create shadows and shade changes
  • Learn how to effectively add book jackets to your project
  • Discover a type of tape that will instantly add dimension to your pages
  • Learn how to effective use Hemp to add a "Western" feel
  • Discover different types of paper that can add a unique feel to your project
  • Learn to create woven backgrounds for a natural feel
  • Learn to use painted tissue paper to add a colorful flair
  • Learn the little-known secret for effectively adding glitter to your pages
  • Rediscover a technique you probably last did in elementary school to create great designs
  • Learn to create accents with acrylic paints
  • Discover how you can use Kool-Aid to dye fabric. Brilliant!
  • Find out how "painting with heat" can create an awesome metallic effect
  • Discover 4 cheap items that can help turn you into a scrapbook-ing pro!
  • Find 3 questions to ask yourself when selecting a theme
  • Learn when to use stickers and when they need to be LEFT OUT
  • Discover what you can do with rubber stamps … or even cotton balls to spice up your pages
  • Find out that "tearing" can actually be a good thing
  • Discover how to create a childlike look with beads
  • Discover how to create your own fabric flowers
  • Discover the use of Stained Glass Mosaics to add an elegant or religious feel to your project

To view this online digital scrapbook, click here:

http://www.scrap-n-craft.com/101_Scrapbooking_Tips.html

 

Basic Scrapbooking Tools April 1, 2006

Filed under: Scrapbooking — scrapncraft @ 8:16 am

The tools listed below are basics.  These are tools that every scrapbooker should have.  Add more tools as you advance in your scrapbooking education.

 Tool #1 – Pencil

Tool #2 – Pencil Sharpener

Tool #3 – Black Archival pen for journaling

Tool #4 – Photo adheisive

Tool #5 – Paper Adheisive

Tool #6 – Portable Trimmer

Tool #7 – Ruler

Tool #8 – Small scissors

Tool #9 – Art gum eraser

 Now, these are in an order…but, you will find which one is the most important to you!

 

myScrap-n-Craft.com the beginning… February 20, 2006

Filed under: Scrapbooking — scrapncraft @ 11:42 pm

myScrap-n-Craft

I wanted to start out my first entry and let you all know how excited I am that we are online and functioning. This isn’t to say that we may have to work out some bugs and that we may have some growing pains, but we are here!! This site has been a long time dream. Now, when it first came about, it was a bit different, but then again, it was several years ago, and the internet has come a long way and there are so many new and exciting things that we can do that we couldn’t do back then. Even last year at this time, I wasn’t sure how we would get some of these things to actually work. It didn’t seem feasible. And here we are…Really!! I can’t begin to explain how excited I am!!

In the beginning I thought, you know there really should be a place where you could go and visit with friends and also get good information. At that time there really wasn’t much out there. And what was out there was difficult to find. Now, with all the new tools and all the behind the scenes work. We can go online and find exactly what we want with relative ease.

Not too long ago, my husband and I celebrated our anniversary. The thing is, we don’t get out very often together, so when we do we try to make it worth it. Well, our plans were to go out of town, but everything was stacked against us. We ended up going to dinner and decided to go shopping. My husband made his first mistake by going into Joanns Fabrics with me. We ended up shopping for stuff to use for my site. At first, he just followed me. Then he saw the 90% off sign. He isn’t a shopper, but he is always up for a good deal…the sign really got him excited! Of course, I love shopping and it’s alway's fun to spend money!  Scream praises to JoAnn's Fabrics!!  We went in prepared to spend whatever it took to get the few things we needed.  What we ended up with was 3 large bags full of stuff and we had spent only $100!!  Now, That is my kind of shopping!!  I got the best of both worlds…I got to go shopping, spend money, and go out to dinner with my husband.  I know that it wasn't what we had set out to do, and my husband would have rather done many other things!